Tuesday, April 24, 2012

SEXUAL ASSAULT AWARENESS MONTH

I am posting these 7 poems, written years ago and never published, in recognition of Sexual Assault Awareness Month. I blogged about one of the incidences on my In This Place We Flesh blog, "I Didn't Call it Rape, Then." You can read it there. But here are poems, raw,  in need of editing and honing. Maybe one day I will. But today... in recognition that rape is a daily reality, and a constant threat to physical, emotional, and spiritual well-being, I offer these words for those who have not figured out how to "say it out loud." Not all of these are my personal stories, but they are common enough to stories I've told or heard over and over again. "Enjoy" is not the word I mean. But I do mean: let these truth-bearing poems speak. And share them. Thank you.

Kissing Cousins

She loved laying her head on his chest,
just under his chin.  Kissing cousins
is what people called them, and
they didn’t mind.

He always walked with his arm,
strong and tight around her waist. 
She felt safe in his world,

until the day, alone in a house
usually filled with laughter,
he wrapped his fingers around
her wrist and wrestled her
playfully, even gently, to the floor.

Her 13-year-old mind was dulled
by an aching pain--his knees
crushing into her inner thigh,
pinning the sorrow
into her nerves.

No!  She screamed, then whispered,
into the ear she had always trusted,
but there was no one to hear.

His face, the face she loved,
the face she often ran her finger
along the line of would-be
side burns--that face
was steel, with deadly eyes,

threatening her, daring her
to tell.  So she slept,
curled as in her mother’s womb,
with his semen running, thickening
to her knees, silent.

© Valerie Bridgeman [Davis]


Date Rape I

Bitch, he said.
Tonight, you gonna
fuck, fight, or
hitchhike, and she
got out of the car,
started walking
miles from home,
or any lights.

They were in deep
back woods country.
He could rape me,
kill me, she thought.
And no one would
know where to find me.
Terror covered her
like the darkness,
cloaking her with
a sickness that
reached her soul.

It was a football game
and a soda, she thought.
Not an invitation.
He drove off, kicking
gravel, hoping her fear
would be an aphrodisiac,
making her yield.

Twenty minutes later,
he returned to that road
and saw her, walking
hard like an angry woman,
her nostrils flaring with
a righteous fire.

She had decided
it would be a fight.

© Valerie Bridgeman [Davis]


Date Rape II

The months of hanging out
had eased into a “thing,”
and they knew a comfort
with each other neither
had found with anyone else.

So, when he took her
to his mother’s house
and in ten minutes
threw her hard against
the stereo, her back
jarred by the searing
sensation flowing
up and down her spine --

and the hard rock music
pulsing, loud through
her body, his tender hands
becoming a vise, his breath
fierce, his eyes nothing.

His fingers ripping
her panties, his knees
spreading her reluctant legs,
and terms of endearment
converting into threats,
menacing, carrying every
intent of harm if she did
not comply.

He doesn’t know, or care,
that she might have said
yes to him, that he did
not have to force her,

but it was too late to say
yes, and the music took root
in her heart, promising her,
things would never
be the same.

© Valerie Bridgeman [Davis]


Walking Sexy

She pounds the ground with her stride
in near-military fashion, walking hard,
so hard that each step jars her knees.

She walks fast as if the distance
between where she is and her
next destination will increase
in unmanageable increments.

She walks with her fingers curled
in an unconscious fist,
crossing streets when she is faced
with recognizable strange men.

She stopped gliding like liquid chocolate,
or flowing like gentle brooks
the day after the dangerous he
gripped her wrist, first playful,
then persistent saying, she asked for it.

It was obvious in the way
her mini-dress flirted with her thighs
as she approached him, walking sexy.

© Valerie Bridgeman [Davis]

Bruises

Bruises told her that the nightmare
had been real.  The bruises on
her thighs, where he pressed
his knees then his hands, then
his manhood were deep,
wide, purple,

the bruises on her wrist
were like bracelets,
two of a kind,
dark and brooding,

the bruises across her lip
where he clamped
his hand to hush her
crying was a faint ring,
but just as painful,

the bruises on her back
and hips where he
handled her like a
rag were broad
and titled,

the bruises on her soul,
imperceptible.

© Valerie Bridgeman [Davis]


How Many Times?

For Women

How many times have you been raped,
she asks, but I know she wants only
to know the times some man succeeded
in forcing himself into me — a cousin,
a family friend, a lover, a stranger . . . .

Not the near rapes where I fought
for my life, or the time Troy stopped
the elevator between floors and said:
when I see you, I don’t see married
or preacher, I see all woman,

then lay his suffocating body up
against me with the rise in his pants
thickening in my struggle.

She doesn’t mean the times I had
to physically remove a man’s hand
from my breasts because my
drop-dead look didn’t work.  In fact,
he said it turned him on.

Or, when I was 100 pounds, short
and sexy like Tony Braxton at the time,
feeling eyes undress me and make
love to me against my will.

Or, the times I went home and took
long showers trying to wash the filth
of a state hospital social worker
off my body.

He pushed himself up against me
from behind, and I turned around
swinging.  Get over it, chaplain.
This is the world, he said.

And I promised him that if he so much
as look at me wrong again, I would
start sexual harassment charges.

He laughed, called me crazy as
the inmates, said I needed to
grow up, be a big girl,
but he never touched me again.

She doesn’t mean the time I
reached to comfort a friend
who then tried to force a kiss
while groping up and down
my leg.

So, how many times
have you been raped?

© Valerie Bridgeman [Davis]


Stunning Revelations

A girl child ain’t safe in a house (world) full of men.
                        — Sophie, in The Color Purple

The first time I heard
Sophie say it, I was stunned,
and could not move for days.

I knew it was one of those
truths that is really true,
but rarely said.

A girl child—

of the female persuasion,
strong and weak, full
of promise, sometimes
trusting —

ain’t safe —

is always in danger, insecure
and must not let down
her guard in her own
house —

in a house —

a refuge from the pain
of living, a shelter
from dangerous
people —

full of men

of the male persuasion,
weak and strong,
full of deception,
sometimes dangerous.

© Valerie Bridgeman [Davis]


Lavender Moon


(I wrote this poem as a part of the Bright Writing Circle in Austin, TX. It was based on a prompt. My prompt was holding and looking at a long, green leaf)

If I say I want you,
The double-edged sword of you,
Unfolding and permeating
Into my life, would you come to me?

And,
If I tell you that I discovered your scent
Quite by accident, and that it lingered
On my fingers long after we first met,
My nose the beneficiary of that bitter-sweet moment,
Would you let me pause here, long enough
To find you in the morning mist?

If I tell you I sniffed you out like the wolf maiden
Finds the scent of blood, a lusty thirst so salty
I can taste your sweat in my dreams,

If I confess that I’ve considered the ancient, secret arts
As I howled my praises for you to the lavender moon,
And threw a party so the lunar faeries would come
And dance around your stalks,
Caress the velvet-sided crush of your arms,
The strong and pulsing rush of your blood, purple and thick,
The green and longing leaf of your face,
Would you let me linger in the fragrance
Of your gaze, a maze of historical hurts reflected
In the lavender stars you wear as eyes,

Would you watch me love your secrets well,
And tell no one that I’ve bathed in early ages
In wine made from your saliva, fermented by the passion
Of your presence?

If I say I’ll rendezvous anytime you call,
Will you call anytime you want?

© Valerie Bridgeman
circa 2001

Saturday, April 7, 2012

IMAGINE


Marsha Foster Boyd, president of Ecumenical Theological Seminary, invited me to be the poet during a Women's Leadership Conference. She really wanted me to do the poetry set for this moment, when I am given words from the audience and create a poem on the spot, improvising slam-style. I usually never hear the poem again because it can never be reproduced the same and it often is not recorded. I recorded this one and will work on this piece. The audience actually gave me some good words to work with. So the words "thrown into the mix" by the audience were (in order):

Palm, Yesterday, Imagine, Ingenious, Echo, Persistent, Reach, Explore, Daylight, Quilt, Fruitful, Sisters, Possessions, Stand, Rhythm

Imagine

At the break of daylight
I remember yesterday’s conversation.
We sat underneath a palm tree
Only imagining what could have been
If we had talked years before

How fruitful our lives might have been
Had we chosen not to choose
Possessions over Tuesday afternoon tea
or pointing at outfits in the mall
that would fit one or the other
of us better

Now, we are persistent
to make truth come to light.
We have decided that the echoes
of our past have haunted us
too long and we reach
for one another, sisters

We explore how our lives ,
quilted as they are from
Our grandmothers’ stories:
We are born anew this morning

We rise in the rhythm
Of our own lives, bring them
Into harmony with one another
We stand persistent,
an ingenious love, woven pure

© Valerie Bridgeman

First draft improv/March 23, 2012
Edited version/April 7, 2012

FIRST DRAFT


FIRST DRAFT/PERFORMED IN THE MOMENT

At the break of daylight
I remember yesterday’s conversation.
We were sitting underneath a palm tree
Only imagining what it would have been
Had we had this conversation years before

How fruitful our lives might have been
Had we chosen not to choose
Possessions over one another

Here, we are persistent
To make truth come to light
We have decided that the echoes
Of our past have haunted us
Way too long and we reach
for one another, sisters

This exploration of our lives (is)
Quilted into us from
Our grandmothers’ stories:
We are born anew this morning

Standing under the rhythm
Of our own lives, bringing them
Into connection with one another
We stand persistent, ingenious
Love, woven pure

FIRST DRAFT
© Valerie Bridgeman
Women in Leadership Conference
March 23, 2012
Detroit, MI
Words provided by participants



Some Assembly Required

I hear you are a master puzzler,
able to put jigsaw pieces into place in record time.
I wonder, as I hand you the scraps of my heart,
whether you need thimble and needle instead.
Or if you can lock the pieces 
that have been blown asunder by life,
one by one, into their respective places—
or better yet, if you are an alchemist
who can mix new concoctions from old pain 
and turn it into wisdom

I trust you for no apparent reason except you stayed
for the end of a long story one night.
We sat in a cracked-leather booth in an old diner, dimly lit,
and reeking of bacon, which neither one of us eats.
You nodded in all the appropriate ways and places
while you rested your index finger on my palm.
I thought you were trying to read my lifeline.
Instead, you were throwing me one.
And my heart, unsteady as it was in that moment,
knew it was not a good time to skip a beat.
Music needs consistency. You proved to be a metronome.
And it sounds dramatic, I know, but you saved my life
between French fries and laughter


I sat cross-legged wrapped in a coat, with a scarf covering my head,
shielding myself from the cold and the general onslaught of truth.
I leaned into your every word
as your eyes did most of the talking.
Our knees, barely touching, spoke in tongues
making us believe we could decode languages from other worlds.
You measured your words like ingredients for a pound cake—carefully.
Then you dumped them slowly while you stirred with intensity
matched only by the roaring flames hungry
for the wood crackling underneath it.
And I know it sounds trite, but in that moment,
I could have believed anything.


Over spanakopita, coffee more sugar and cream than ground caffeine,
and music switching between Michael Jackson’s Man in the Mirror
and some 1950s tune without the words, I offer you my heart.
I say, be careful. Others have left dents and dings
where there should have been kisses. Lift the pieces gingerly,
or sew with abandon as you intone your incantations.
And it sounds like no small thing, I know, to be given a heart—
with some assembly required.


© Valerie Bridgeman
April 7, 2012